D-Day 80 Years On - Talk by Dave Smith

Maralyn Green • May 19, 2024

D-Day 80 Years On

 

D-Day 80 Years On was the subject of a very detailed talk, given recently by popular historian, Dave Smith.  Planning for D-Day actually took place not far from Bognor and very close to Portsmouth.  It was at Southwick House, which stands on the northern slopes of Portsdown Hill, where the preparations for Operation Overlord were laid. It was there that General Dwight Eishenhower, the Supreme Commander of the Allied Forces, took the decision to launch the Normandy invasion on 6 June 1944. You can still visit the house and see the Map Room but have to make an appointment to do so.


The date of 6 June was chosen because it fulfilled the requirements necessary for the beach landings. The weather forecast was good, there would be a full moon and, importantly, a half tide. Originally 2 other dates were considered, 5 June and 19 June.  5 June was discounted because of the bad weather forecast for the day before and 19 June was deemed too late. Several million men, tanks, landing craft, etc., were waiting secretly, in multiple locations, across the South Coast of England and there was a very real risk that waiting too long might lead to discovery. So, the date of 6 June became the date of D Day. This was fortunate as the weather turned out to be appalling on 19 June.


Dave Smith asked the audience what the D stood for in D Day. The answer was that it stands for Day. Apparently there were many D Days (Day Days), a name for the beginning of Operations during the War, but 6 June is the only one remembered by everyone.


Much effort had gone into covering up the true destination of D Day. Double agents fed wrong information back to Germany about possible invasions at Calais in July or even on the Norway coast.  Inflatable tanks, trucks, airplanes and landing craft had been placed as decoys, even as far North as Scotland, to deceive reconnaissance aircraft.  Decoy dummy paratroopers, known as Ruperts, were also dropped at 4 different locations on the morning of 6 June to lure the Germans away from the beaches of Normandy. The dummies self-destructed on landing.


These were just a few facts from Dave Smith’s presentation as his enthusiasm for his subject gave us many further insights into the planning before the invasion, the intricate detail of the invasion itself and what must have been a logistical nightmare to get everyone and everything to where it was needed before, during and in the days after the invasion.  Dave Smith also recounted stories of a few of the soldiers, who had been part of D Day, as well as the personality clashes between some of the leading organisers of Operation Overlord. Roll on next year for another of Dave’s brilliant talks!


By Raymond Hagger July 26, 2025
Walter Salles’ “I’m Still Here” is not just a film—it’s a hauntingly beautiful act of remembrance. Based on the memoir Ainda Estou Aqui by Marcelo Rubens Paiva, the story chronicles the life of Eunice Paiva, a mother of five whose husband, former congressman Rubens Paiva, was abducted and murdered by Brazil’s military dictatorship in 1971. What unfolds is a deeply personal yet politically resonant portrait of grief, resilience, and quiet defiance. Fernanda Torres delivers a career-defining performance as Eunice, embodying a woman who refuses to be broken. Her portrayal is subtle yet seismic—every glance, every gesture carries the weight of a nation’s trauma and a mother’s unwavering love. The film’s emotional power is amplified by the presence of Torres’ real-life mother, Fernanda Montenegro, who plays Eunice in her later years, adding a generational echo to the story’s themes. Salles’ direction is masterful. He juxtaposes the idyllic warmth of 1970s Rio de Janeiro with the creeping dread of authoritarian violence. Super 8 footage shot by the Paiva children adds a nostalgic texture, while scenes of military helicopters and silent agents lurking in doorways remind us of the ever-present threat. The cinematography by Adrian Teijido and editing by Affonso Gonçalves create a rhythm that feels both intimate and epic. What makes I’m Still Here so powerful is its refusal to sensationalize. Instead of dramatizing torture or violence, it focuses on the psychological toll of disappearance—the limbo of not knowing, the bureaucratic cruelty of delayed justice, and the emotional labour of keeping a family whole. Eunice’s resistance is not loud; it’s found in ice cream parlour outings, in smiles for family photos, in the insistence that joy is a form of protest. The title itself is a declaration. “I’m Still Here” speaks to Eunice’s enduring presence, to Rubens’ legacy, and to the memory of all those lost to political violence. It’s also a warning: authoritarianism may fade, but its shadows linger. In a time when far-right movements are re-surging globally, this film feels tragically timely. Verdict: I’m Still Here is a breathtakingly tragic, emotionally rich, and politically urgent masterpiece. It’s a love letter to maternal strength, a reckoning with Brazil’s past, and a reminder that memory itself can be an act of resistance. One of the best Twinning International Films to date. Unmissable
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A most enjoyable visit enjoyed by all
By Maralyn Green July 6, 2025
French Twin Town visitors learn about Bognor’s history